“What is meant here is a comic tenor who is demanding in terms of stage. We see in this role a mezzo (how that is vocally arranged is beyond me), namely Stefanie Bruggeling. In terms of stage, she is in excellent form. She has a dexterity that goes toward dancing, welcome to the colors of the scattered roles.” 

Transformaties, 2024 (Place de l’Opera)

“The sorceress (Stefanie Bruggeling) and her two witches lived out their vicious role to the fullest. This is not his about beautiful singing, but about mean, and the trio amply exuded that.”

Dido & Aeneas, 2022 (Koen Edeling)